Summary

Faranak Nateghi analyzes Bahram Beyzai’s 1972 film, *Safar*, as a metaphorical exploration of Tehran’s burgeoning modernity, characterized by superficial glamour and stark social divisions, leading to alienation. Unclassified cookies are cookies currently being categorized alongside their respective providers.

Title

Ultra Dogma - Ultra Dogma

Description

Ultra Dogma

Keywords

film, cookies, january, essay, december, website, cinema, november, more, page, family, songs, articles, interviews, movie, club, hall

NS Lookup

A 85.13.153.253

Dates

Created 2026-02-16

Updated 2026-02-16

Summarized 2026-03-02